Download PDF , by Jane Hirshfield

Download PDF , by Jane Hirshfield

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, by Jane Hirshfield

, by Jane Hirshfield


, by Jane Hirshfield


Download PDF , by Jane Hirshfield

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, by Jane Hirshfield

Product details

File Size: 91 KB

Print Length: 29 pages

Publication Date: June 21, 2011

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B0057IYMF4

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Amazon Best Sellers Rank:

#52,390 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This book is more about Bashō than about haiku per se. it’s a quick read telling about his life and his relationship to poetry. He lived as a wanderer in between spending a few years living in huts built or lent to him by students and admirers. He had lots of humor in his work and I bet would have been quite fun to have a couple bottles of saki with.Haiku used to be something co-written. Someone writes a haiku and it is then given to someone else who writes two seven syllable lines after. I am fascinated by this. Must try it with friends. There is a name for this that the book tells us but I’m on the subway so looking for it right now is inconvenient.Anyway, it’s a good read.

Jane Hirshfield's Nine Gates: Entering the Mind of Poetry, a series of deep but approachable, gentle but commanding essays on poetry, is my favorite book on literature of all time. I am not a poet myself, but a life long admirer of poetry. Hirshfield illuminates the poet's mind and experience with the authority of an accomplished poet, but with a total lack of self-importance or contrivance. She brings that same wonderful depth of knowledge to this piece - a must for anyone who loves the haiku form - or wants to write better tweets! Hirshfield never disappoints, and I can't recommend this short piece highly enough for anyone fascinated by one of the most intricate and deceptively simple poetic forms, the haiku.

I have absolutely no background in poetry, or in arts of any kind. As a sporadic dabbler in all things cast in verse, I find this book arresting.The collection of verses in this book, for someone who otherwise does not have a knowledge of haiku, is both overwhelming & leaves you wanting more. Overwhelming because of the possibilities & suppleness of the verse, the beauty of the visual imagery, & the perceptions that permeate your senses. The symbolism is sometimes inscrutable. In sort of a zen like way, like the way you cannot clutch water from a stream. The threads of acceptance - another zen like feature of this style, or perhaps, Basho's style - run deep.Add to this Hirshfield's text. I reckon the word "explains" is rather petty for what she is able to do. Illuminates is more apt. She lights up a veritable mess of mystic mumblings & teaches us to see the whole the way we want to see it & experience it. She sets context, but hardly analyzes. She records history, but rarely opines. She takes us through a mollifying journey of the poet's life & points out how his circumstance changed affected his verse. She, like Basho, stays away from the dramatic & displays remarkable composure in stitching this story of remarkable beauty & pathos.I'd recommend this book very highly.@souvikstweets

Breath-taking and profound! I've been reading Basho & other Haiku masters for years, but Hirshfield in this essay has created an illumination of Basho much as Basho's haiku poems illuminate the moments & places where they came to rest. I found the translations exceptional, but greatly appreciated the inclusion of the Japanese. I was reading both the English translation & the Japanese original to myself aloud ... and found that the former was enhanced by the latter...as I'm sure Hirshfield intended. Much of what Hirshfield "accuses" Basho of doing, you also find in her work. In contextualizing Basho in his place & times she uses analogies with online gaming communities such as Dungeons & Dragons & more recently the rise of YouTube. I think you will find this exploration delightful & memorable & difficult to forget; hence helping you understand how haiku evolved from older forms of renga & tanka. If Hirshfield & I were friends, I would have said: Hey, Jane, find a way to add Cloud Computing to the analogy! And I don't doubt that she would have! I started reading this book around 3am, planning to read a few pages & off to sleep... but Hirshfield managed to make a must read cliff-hanger out of Basho's life & development as one of the world's greatest poets. So proceed with fair warning. This is one you may find yourself reading in one sitting.But the insights & images will haunt you.

Poetry translation cannot be impeccable. We find it difficult to feel that palpable otherwise we read the original.Fortunately this book juxtaposes Basho’s personal life and his poem so we can bridge the space between languages. His life as a wanderer becomes a plaintive poem itself. His existence had vanished long time ago but he left behind his insightful interpretation of beings and things. Coming to feel infinity in these elusive moments keenly because of that.

This is one of the most wonderful readings I have had in a long time. Is like entering to the heart of thoughts and even more to the the heart itself of the poet, and in him I find myself. It's inevitable to don't end loving deeply to Bashō and feel a calmness to enter a spirit so kind that talks to us intimately.I know that without the reading of this book I had read Bashō's words in a hasty way, fooled by the conciseness. Thanks very much, Jane.

A little book, it is a window to the art, life, and essence of Bashō, a poet eternally tied to haiku form. It is praising without being maudlin, educational without being didactic, it is humorous and sad, and no longer than need be. True to the spirit of haiku, the poetic form central to this book and Bashō's life, Hirshfield's book is short, simple, but has left me with thoughts to ponder for a lifetime.

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